Luann Udell / Durable Goods
Ancient artifacts for modern times




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Tuesday, October 19, 2004
 
Cleaning the Studio (Part 112)
A concerned reader e-mailed to ask if I'd made ANY headway on my studio, and the answer is yes. I've made SOME headway.

I hired my kids with mixed results. I picked one log-jammed area, where I still had booth stuff from my big August retail show lying around. It was a point-and-shoot operation. I point at something and tell them where to put it. It worked out well at first--I now have an area that's about 1/5 of my floor space that's cleared, and that looks (and feels really, really good.

Unfortunately, when I went to the barn attic above my studio (which is a remodeled barn, hence the "barn attic" as opposed to the "house attic") I found the little tykes had run out of steam once they'd hauled stuff up the stairs. They simply left it piled at the top of the stairs. When I went up there this weekend to look for something, I was totally blocked in by a huge pile of all the stuff I'd been stepping over in my studio for months.

It has a happy ending, though. They went upstairs later that weekend and reorganized the barn. There are now open spaces and paths, and hopefully all my booth stuff is now more in the booth pile area....

Is this a lesson in business management? Yah. Delegate, but check in from time to time to see not only what progress is being made, but what KIND of progress is being made....

And hold the final paycheck until the job is done to your satisfaction.

comment [] 10:08:44 AM    
I was going to write about cleaning my studio again (like I intended to today anyway!) but received this fascinating newsletter JUST IN TIME instead. I quote it in full here, and you can go the url linked to the title to see the extra stuff. And subscribe yourself, if you are so inclined. Robert Glenn's newsletter writes about his life as a 2-D artist, but there's a lot of crossover with other media--and the nature of creativity remains the same, anyway.

ALL THE REST OF THE TEXT IN THIS POST ARE BY ROBERT GLENN

"On Friday we went to see "What the Bleep Do We Know?" It's part documentary, part entertainment, part lecture. After being recommended by so many fellow artists, I knew it would be like no other film.

It's about "Quantum Physics." It asks and attempts to answer some of the big questions: Who are we, what are we made of, where are we going? The natures of intentionality, possibility, addiction, creativity, and self-love are examined and graphically demonstrated. Various scientists and other gurus speak candidly from the comfort of their labs or living rooms. You have to pay attention because there's lots to catch. We learn, for example, that an atom is made up mostly of empty space and is very similar in nature to a thought. This flick was right down my alley.

What does the film have to say to artists? Lots. Early on, for example, we're introduced to an ordinary looking guy who turns out to be Dr. Joe Dispenza, graduate of Rutgers, Doctor of Chiropractic, writer and lecturer on neurology and brain function. He tells us how our destiny can be designed. "When I create my day the way I want it to happen," he tells us, "out of nowhere little things occur that are inexplicable." According to Joe, these little things are also the result of our own creation. One must build a neural net in the brain in order to also accept these as "possibilities." This is what gives power, incentive, and our true evolvement as humans. Reality, in Joe's world, equals life, and we must make a pact with them both. "I say, I'm taking this time to create my day, and I'm infecting the Quantum Field." Then Joe brings in the concept of "Observer." "As the Observer's watching me the whole time that I'm doing this--then there's a spiritual aspect." Joe says you can design yourself as you wish--let's say as a "genius." "Then you'll have thoughts that are so amazing--it'll cause a chill in your whole body."

As the reels roll we are dramatically shown that the god-like function--the "Observer" is actually ourselves. We begin to get a glimpse of a remarkable universe both neural and physical, where there is no total disclosure. But there is an illusion that we make for ourselves--in which we can choose and be effectively creative. As it turns out, our world is an even more fantastic and beautiful place than we might have previously thought.

Best regards,

Robert

PS: "The mystery of life is not a problem to be solved but a reality to be experienced." (Aart Van Der Leeuw)

Esoterica: Not all of the "experts" in this film agree with each other--but that's okay. We artists don't agree either--that's the beauty, that's the miracle. But it's clear that we have a universe that's full of possibilities--a sort of connective "Creator's Universe." Like Alice in Wonderland we have a choice how far we may want to go down the rabbit hole. And as Lewis Carrol wondrously noted, it gets "curiouser and curiouser."

Current clickback: To see selected, illustrated responses to the last letter "Howard Pyle," and further information about "Bleep," please go to: http://www.painterskeys.com/clickbacks/howard-pyle.asp

If you would like to comment on this letter or add your own opinions, information or observations, please do so. Thanks for writing rgenn@saraphina.com

If you think a friend or fellow artist may find value in this material please feel free to forward it. This does not mean that they will automatically be subscribed to the Twice-Weekly Letter. They have to do it voluntarily and can find out about it by going to http://www.painterskeys.com

The Twice-Weekly Letters are in Russian at http://painterskeys.narod.ru/ and in French at http://www.painterskeys.com/fr/

comment [] 10:01:24 AM    


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Last update: 11/7/2004; 10:57:41 AM.

Hungry Art

My Hands

Making a Decision

Practice Makes Perfect

Starting Out in Craft

Cleaning the Studio (Part 112)

Life, the Universe and Everthing

Daily Journals

Fear of Flying High

Getting Your Story Out There: Press Release Update

I Have a Dream

Opportunities

Deciding Not to Decide

Trust Your Process

Check Your Local Printing Shop

Re-Do on the To-Do List

PROCRASTINATION: Love It or Leave It Til Tomorrow

It's a GREAT Day at Tokyo Joe's

Seeing as a Child

THE NIBBLE THEORY: A Big Little Book

EVERY DAY

ARE YOU GOOD ENOUGH? Artist Myth #2

More Thanks and a Hat Tip...

DO IT AGAIN. AND THEN DO IT AGAIN.

SAYING THANK YOU: Thanks, John Mathieu!!

ART FOR MONEY vs. MONEY FOR ART

WHY I DO WHAT I DO...

It's All About the Story

When DIY Isn't Enough...

TEN MYTHS ABOUT BEING AN ARTIST

CRAFT IN THE DIGITAL AGE

Writing Projects for Magazines--First Steps

SOME DAYS IT'S JUST NO FUN BEING IN BUSINESS

GETTING YOUR STORY OUT THERE: Demystifying the Art of the Press Release

Myth #3 about Artists

What do kickboxing and pursuing a career in art have in common?

MYTH #2--The Best, and The Rest

TEN MYTHS ABOUT ARTISTS that will prevent you from becoming a SUCCESSFUL artist

The Artist Bio/Statement--Tips for Making Yours Memorable, Personal--and Quotable

Fear and Art

Artistic License

Let's NOT do what we ought, but what we want

Climbing Over Road Blocks

Be Careful What You Wish For.....

Dealing with Failure

When is a WYSIWYG Not a WYSIWYG?

What Meryl Streep and I Have In Common

Holding Onto "Facts" That Hold You Back